Wild Earth 2, no. 4
Wild Earth 2, no. 4 with essays on environmental devastation and the war in Lebanon, the Colorado River delta, reef protection, and zoos and the “psychology of extinction.”
Wild Earth 2, no. 4 with essays on environmental devastation and the war in Lebanon, the Colorado River delta, reef protection, and zoos and the “psychology of extinction.”
Wild Earth 4, no. 1 discusses aquatic ecosystems, vacuuming the Northern Forest, mismanagement in the Southern Appalachians, and lessons from the Vermont wilderness.
Wild Earth 4, no. 2 features Wendell Berry on “A Walk Down Camp Branch,” Howie Wolke’s “Butchering the Big Wild,” and William R. Catton, Jr., on “Carrying Capacity and the Death of a Culture.”
Wild Earth 4, no. 3 features Canadian forests at risk, an activist’s guide to Central Appalachian forests, citizen involvement in mining issues, a proposal for a Thoreau Regional Wilderness in northern Maine.
This issue of Wild Earth celebrates the third year of the Wildlands Project featuring the theme “A Critique and Defense of the Wilderness Idea,” as well as essays on: falcons in urban environments, state complicity in wildlife losses, and common lands recovery.
Wild Earth 5, no. 1 focuses on prairie dog ecosystems and includes a Minnesota biosphere recovery strategy.
Wild Earth 5, no. 2 discusses the environmental consequences of having a baby in the United States; bumblebee ecology; and the Nevada Biodiversity Research and Conservation Initiative.
In Wild Earth 5, no. 3 Wendell Berry writes about private property and the Commonwealth, Thomas P. Rooney reflects on global warming, and Paul J. Kalisz analyses sustainable silviculture in the hardwood forests of the eastern United States.
In Wild Earth 5, no. 4 Reed F. Noss reflects on what endangered ecosystems should mean to The Wildlands Project, and preliminary results of a biodiversity analysis in the Greater North Cascades ecosystem and a biodiversity conservation plan for the Klamath/Siskiyou region are presented.
In Wild Earth 6, no. 1 Bill McKibben imagines new organizations like “MACHO” (Manly and Courageous Hunters Organization), Stephanie Mills visits Leopold’s shack, and Daniel Dancer seeks a deep photography ethic.