The Power of a Book
The Power of a Book
This is Chapter 1 of the exhibition “Rachel Carson’s Silent Spring: A book that changed the world” by historian Mark Stoll.
This is Chapter 1 of the exhibition “Rachel Carson’s Silent Spring: A book that changed the world” by historian Mark Stoll.
This article focuses on contemporary literary and musical interpretations of changing relationships between humans and the environment in Mongolia. The author explores how these works relate to deep time, and crosshatches biographical, mythological, and geologic understandings of time.
Drawing on Continental theory and various cultural objects, On an Ungrounded Earth constructs an eclectic geosophy describing Earth as a dynamic engine materially invading and upsetting our attempts to reduce it to merely the ground beneath our feet.
Object Oriented Environs takes its cue from the philosophical movement Object-Oriented Ontology in the hope of provoking a conversation about how early modernists, or humanists in general, parse the question of matter, of things. This collection emerged from a session of the Shakespeare Association of America meeting in 2014.
In this selection of poems, Adam Dickinson focuses on the “outside” that is the “inside,” thereby drawing attention to the coextensive and intra-active nature of the body with its environment and the consequent implications for linking the human to the nonhuman and the personal to the global in environmental ethics.
Michael Marder interprets the “toxic flood” we are living or dying through as a global dump. On his reading, multiple levels of existence—from the psychic to the physiological, from the environmental-elemental to the planetary—are being converted into a dump, a massive and still growing hodgepodge of industrial and consumer by-products and emissions; shards of metaphysical ideas and theological dreams; radioactive materials; light, sound, and other modes of sensory pollution; pesticides and herbicides; and so forth.
In the early phase of the vegetarian movement, satirists playfully imagined how this diet and worldview affected different aspects of culture. Other cartoons make fun of the fact that vegetarianism quickly became a trend that was seen as sign of the Zeitgeist of the 1880s. Surprisingly, they overlooked the fact that vegetarianism was indeed intended as a sociocultural reform that could contribute to social and gender equality. This is from the German version of “Satirical Glimpses of the Cultural History of Vegetarianism.” For the English-language version of this exhibition, click here.
Since vegetarian societies began to spread and organize events in Germany, their missionary attitude and their supposed moral superiority have been ridiculed. Caricatures mocked the rigid rules of the vegetarians and their societies, accusing them of hypocrisy or of reinterpreting the self-imposed prohibitions according to their own needs and weaknesses. This is from the German version of “Satirical Glimpses of the Cultural History of Vegetarianism.” For the English-language version of this exhibition, click here.
In the nineteenth century, there was much debate about the question of which way of living could be regarded as “natural.” Caricatures on vegetarianism mock ideas of the “natural” relationship between animal and man, and draft utopian as well as dystopian visions of a vegetarian future. This is from the German version of “Satirical Glimpses of the Cultural History of Vegetarianism.” For the English-language version of this exhibition, click here.
In the early phase of the vegetarian movement, satirists playfully imagined how this diet and worldview affected different aspects of culture. Other cartoons make fun of the fact that vegetarianism quickly became a trend that was seen as sign of the Zeitgeist of the 1880s. Surprisingly, they overlooked the fact that vegetarianism was indeed intended as a sociocultural reform that could contribute to social and gender equality.