With reference to Puritjarra, a rock shelter in the Cleland Hills in western central Australia, this environmental art project examines the relationship between knowledge systems–be they indigenous, scientific, or artistic–and place.
While their paintings and photographs sometimes helped to secure the protection of particular places, nineteenth-century artists often showed little respect for the environment when they set about securing their views.
The High Coast in north-eastern Sweden has become a popular tourist site annually attracting hundreds of thousands of visitors from throughout the world. Its environment is not only considered pleasing from a recreational aspect, but also of extraordinary intrinsic value.
What can works of landscape art tell us about past ecologies? This article describes a pilot study in which a method for systematically recording the aesthetic, ecological and environmental content of landscape artworks was investigated.
T. J. Demos, reader in modern and contemporary art at University College London, provides an overview of how relationships between contemporary art, ecology and concepts of sustainability have evolved over the last fifty years.
A collection offering global perspectives on the intersections of mind and environment across a variety of discourses—from history and politics to the visual arts and architecture.
Presents Mesopotamian civilization “from the ground up,” including with reference to a range of climatic and environmental factors.
A cultural history of the Grand Canyon that investigates the intersections of culture, nature, and landscape.
The arrival in 2010 of a major international public art exhibition in the heart of the Emscher valley marked a new chapter in the regeneration of an area, where infrastructure, environmental, and art history continue to become entangled in new and fascinating ways.
