Considering Caroline Wendling’s living artwork White Wood (2014) in northeast Scotland, the author examines the relationship between deep time, ecology, and enchantment.

Sophie Chao delves into an unexplored dimension of the agribusiness nexus—the affective attachments of corporate actors to oil palm seeds. Drawing from fieldwork in an oil palm concession in Riau, Sumatra, she highlights the conflicting nature of caring for palm oil seeds.

The authors analyze the portrayal in popular conservation discourse of the flowering plant Rhododendron ponticum as an invasive species in the British countryside, especially Scotland. They explore how its invasiveness is materially produced via the cultural and socioeconomic as well as vegetal relations within which it is entangled.

This short film combines remote sensing, qualitative interviews, desk research, and illustrations to show the complexities and controversies surrounding mangrove reforestation in Senegal and The Gambia.

This special section edited by Franklin Ginn, Uli Beisel, and Maan Barua considers how multispecies flourishing works when the creatures are awkward, when togetherness is difficult, when vulnerability is in the making, and death is at hand.